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Reading into writing
Primary History article
Introduction: Interactive Whole Class - Teaching, Textbreaker & EXIT
Demonstration and modelling relies upon pupils being able to read the text that is being modelled, including the most demanding document. Accordingly the Nuffield Primary History Project developed a whole class interactive teaching strategy to support pupil reading of difficult and...
Reading into writing
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Mini Scaffolds: Charts, Concept webs, Diagrams, Mini-Frames
Primary History article
The language of History develops subject content knowledge and associated vocabulary & phraseology, p. 30. Pupils can record, extend and develop their historical language through using a range of mini-scaffolds or frameworks that they flesh out with teacher guidance and support.
A class can build upon basic historical vocabulary through questioning,...
Mini Scaffolds: Charts, Concept webs, Diagrams, Mini-Frames
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History and language
Primary History article
Pupil writing is present at every point in studying history - from initial questioning to the writing and presentation of a finished piece of work. Children continually explore, acquire and build upon both existing and new historical vocabulary and phrases, p. 30. Writing depends totally upon pupils' linguistic knowledge and...
History and language
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Historical fiction and story: the informed imagination
Primary History article
Historical stories and fiction give full rein to children's imaginations and creativity. As such, they are a standard, major element in pupils' historical authoring.Writing history stories is stimulating, enjoyable and challenging. When using their historical imaginations children as authors have to be disciplined. They must work within the strict parameters...
Historical fiction and story: the informed imagination
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Poetic writing
Primary History article
Poetry is a major area for pupils creative and imaginative historical writing. Pupils writing historical poetry can draw upon a wide range of poetic modes, for example haikus, sonnets, blank verse. Poetry is an excellent vehicle for public presentation, with pupils reading their composition to their class members. To use...
Poetic writing
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Writing: demonstration and modelling
Primary History article
Pupils' historical writing can take thousands of different forms, for example, an advert, comic, magazine article, love letter, short story, exam essay, poster or account of a castle visit. For pupils to compose in any genre they must understand and assimilate the genre's skeletal framework, its mode, tenor, field - pp....
Writing: demonstration and modelling
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Children writing history: The writing spectrum
Primary History article
"Henry the 4th ascended the throne of England much to his own satisfaction in the year 1399, after having prevailed on his cousin & predecessor Richard the 2nd to resign it to him, & to retire for the rest of his Life to Pomfret Castle, where he happened to be...
Children writing history: The writing spectrum
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Multi-modality and writing history
Primary History article
We all now live in the digital age.
The smart phone, kindle, i-pad and computer mean children are immersed and interact in a digital world of moving, still and spoken images. They are also able to communicate digitally socially: for example, Twitter and Facebook. Social media facilitate social as well...
Multi-modality and writing history
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Writing & History Overview
Primary History article
History provides an extremely rich context for literacy and writing, see Case Study 3: Evacuees. As such, Writing History is an element in a whole school policy towards literacy that emphasises Language Across the Curriculum for all subjects and areas. references. Case Study 1 illuminates the concept that pupil writing permeates...
Writing & History Overview
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A View from the Classroom: Writing History
Article
Introduction
I imagine many people have memories of staring at a blank piece of paper - and wondering what to write.....and where to start?
There are many questions to consider.
How do children become eager and confident writers in the context of history?
When is writing the best response, and...
A View from the Classroom: Writing History
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Think Bubble 60: Writing from experience
Primary History article
The business of ‘experiencing' history is in as healthy state as it is possible to imagine. In a recent straw poll of primary GTP trainees in the Oxford-Bucks partnership over 80% cited drama, role play or similar inter-active experience as being the most memorable feature of learning history in the...
Think Bubble 60: Writing from experience
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In My View: Children Writing History
Primary History article
Getting ready
Before actually putting children to paper and pencil it is useful to spend some time clarifying the issues relating to the written task through other verbal media, which will help above all the least able pupils. We have found the following activities help children prepare for writing at...
In My View: Children Writing History
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Move Me On 147: Making Analogies Meaningful
Teaching History feature
This issue's problem: Emma Norman finds the analogies that she's using to make historical ideas meaningful end up distracting or confusing the students.
Emma has come into history teaching after a number of years at home looking after children. Her previous work was as a fundraiser for an environmental campaign group,...
Move Me On 147: Making Analogies Meaningful
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Pedagogy, politics and the profession
Teaching History article
History curriculum reform proposals and debates are a persistent feature of the contemporary educational landscape in England and, very probably, a ‘sign of the times' that can reveal a great deal about contemporary predicaments and concerns. History curriculum controversy is also a global phenomenon and one that can fruitfully -and,...
Pedagogy, politics and the profession
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Where are we? The place of women in history curricula
Teaching History article
Joanne Pearson reflects on her experiences as a history teacher and teacher educator, considering the ways in which she has seen women represented in the history curricula of different schools in England. She makes the case that greater attention needs to be paid by history teachers to the criteria against...
Where are we? The place of women in history curricula
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Out went Caesar and in came the Conqueror: A case study in professional thinking
Teaching History article
A case study in professional thinking
Michael Fordham examines the evolution of his own practice as an example of how history teachers draw upon collective, professional knowledge constructed by other history teachers in journals, books, conferences and seminars. Fordham explains how a particular Year 7 enquiry examining historical change from the...
Out went Caesar and in came the Conqueror: A case study in professional thinking
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Polychronicon 147: Witchcraft, history and children
Teaching History feature
Witchcraft is serious history. 1612 marks the 400th anniversary of England's biggest peacetime witch trial, that of the Lancashire witches: 20 witches from the Forest of Pendle were imprisoned, ten were hanged in Lancaster, and another in York. As a result of some imaginative commemorative programmes, a number of schools...
Polychronicon 147: Witchcraft, history and children
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Time and chronology: conjoined twins or distant cousins?
Teaching History article
Weaknesses in pupils' grasp of historical chronology are a commonplace in popular discussion of the state of history education. However, as Blow, Lee and Shemilt argue, although undoubtedly necessary and fundamental, mastery of chronological conventions is not sufficient: the difficulties that pupils experience when learning history are conceptual, as much...
Time and chronology: conjoined twins or distant cousins?
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Hidden histories and heroism: post-14 course on multi-cultural Britain since 1945
Teaching History Article
A school-designed, post-14 course on multi-cultural Britain since 1945
Robin Whitburn and Sharon Yemoh describe the design of a school-generated GCSE course on the challenges that British people faced in forging a multicultural society in post-imperial Britain. Drawing on their own research into their students' experience, they build a discipline-based case...
Hidden histories and heroism: post-14 course on multi-cultural Britain since 1945
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Cunning Plan 147: Getting students to use classical texts
Teaching History feature
The following plan provides a more detailed practical example of the approaches discussed in the article on using ancient texts.
Having puzzled over what ancient texts actually are - carefully constructed interpretations? testimonies? (but testimonies to what?) myths? - I wanted my Ancient History GCSE class to engage in this...
Cunning Plan 147: Getting students to use classical texts
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Using ancient texts to improve pupils' critical thinking
Teaching History article
Did Alexander really ask, ‘Do I appear to you to be a bastard?' Using ancient texts to improve pupils' critical thinking
Beth Baker and Steven Mastin make the case for teaching ancient history in the post-14 curriculum. Pointing out the damaging messages that could be conveyed by assuming that ancient...
Using ancient texts to improve pupils' critical thinking
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Primary History 60: Writing History & Literacy
The primary education journal of the Historical Association
Editorial and In My View
04 Editorial: Writing history and historical literacy
05 Writing history - Jackie Eales
06 Children writing history - John Fines (Read article)
Features
08 Think Bubble - Writing from experience - Peter Vass (Read article)
09 A view from the classroom - Cathie McIlroy...
Primary History 60: Writing History & Literacy
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Teaching History 147: Curriculum Architecture
The HA's journal for secondary history teachers
02 Editorial
03 HA Secondary News
04 HA Update
08 Beth Baker and Steven Mastin - Did Alexander really ask, ‘Do I appear to you to be a bastard?' Using ancient texts to improve pupils' critical thinking (Read article)
14 Cunning Plan: Getting students to use classical texts - Beth Baker...
Teaching History 147: Curriculum Architecture
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History Painting in England: Benjamin West, Philip James de Loutherbourg, J.M.W. Turner
Historian article
History Painting is defined in Grove's Dictionary of Art as the ‘depiction of several persons engaged in an important or memorable action, usually taken from a written source.'
Though History Painters as important as Rubens and Van Dyke worked - in Van Dyke's case for nine years - in England,...
History Painting in England: Benjamin West, Philip James de Loutherbourg, J.M.W. Turner
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Move Me On 146: Knowing enough to be able to start planning
Teaching History feature
This issue's problem: Jim Boswell is constantly anxious about whether he knows enough to be able to start planning.
Jim Boswell is an articulate, enthusiastic student teacher, with previous voluntary work experience teaching English to young asylum-seekers and refugees. Other previous roles in sports coaching and refereeing have clearly paid dividends...
Move Me On 146: Knowing enough to be able to start planning
