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  • Triumphs Show 157: What makes art history?

      Teaching History feature: celebrating and sharing success
    What do 14 Year 7 students, an art teacher, a history teacher and the Victoria and Albert Museum have in common? They are all part of the ‘Stronger Together' Museum Champion project run by The Langley Academy and the River & Rowing Museum and supported by Arts Council England, designed to...
    Triumphs Show 157: What makes art history?
  • Triumphs Show 156: Fresh perspectives on the First World War

      Teaching History feature: celebrating and sharing success
    Year 9 think they know a lot about the First World War. After all, they read Michael Morpurgo's novel Private Peaceful in their English lessons all the way back in Year 7, they've seen Blackadder so many times they can recite it, and in the centenary year of the war's...
    Triumphs Show 156: Fresh perspectives on the First World War
  • Triumphs Show 155: beyond trivial judgements of 'bias'

      Teaching History feature: celebrating and sharing success
    Towards victory in that battle... 10A were nearly a term into their GCSE history course, working on an 1890-1918 British history ‘depth study'. They had already completed work on the Liberal welfare reforms and on the women's suffrage movement, and they had been practising a range of source evaluation approaches....
    Triumphs Show 155: beyond trivial judgements of 'bias'
  • Using The Wipers Times to build an enquiry on the First World War

      Teaching History article
    Teaching ‘the lesson of satire': using The Wipers Times to build an enquiry on the First World War ‘Blackadder for real' is how the British journalist and broadcaster, Ian Hislop, characterised The Wipers Time, the newspaper published on the front line by members of the 12th Battalion Sherwood, and recently brought...
    Using The Wipers Times to build an enquiry on the First World War
  • An authentic voice: perspectives on the value of listening to survivors of genocide

      Teaching History article
    It is common practice to invite survivors of the Holocaust to speak about their experiences to pupils in schools and colleges. Systematic reflection on the value of working with survivors of the Holocaust and other genocides and on how to make the most of doing so is rarer, however. In...
    An authentic voice: perspectives on the value of listening to survivors of genocide
  • Developing awareness of the need to select evidence

      Teaching History article
    Let's play Supermarket ‘Evidential' Sweep: developing students' awareness of the need to select evidence Despite having built a sustained focus on historical thinking into their planning for progression across Years 7 to 13, Rachel Foster and Sarah Gadd remained frustrated with stubborn weaknesses in the evidential thinking of students in...
    Developing awareness of the need to select evidence
  • Cunning Plan 152.1: visual sources

      Teaching History feature
    The principles outlined here were developed in response to three key concerns. The first was consideration of the needs of students learning English as an additional language who face particular challenges with reading and writing. Images could perhaps offer them more direct, less abstract, ways into an understanding of challenging...
    Cunning Plan 152.1: visual sources
  • Using ancient texts to improve pupils' critical thinking

      Teaching History article
    Did Alexander really ask, ‘Do I appear to you to be a bastard?' Using ancient texts to improve pupils' critical thinking Beth Baker and Steven Mastin make the case for teaching ancient history in the post-14 curriculum. Pointing out the damaging messages that could be conveyed by assuming that ancient...
    Using ancient texts to improve pupils' critical thinking
  • Year 7 explore the story of a London street

      Teaching History article
    One street, twenty children and the experience of a changing town: Year 7 explore the story of a London street Michael Wood and others have recently drawn attention to the ways in which big stories can be told through local histories. Hughes and De Silva report a teaching unit through...
    Year 7 explore the story of a London street
  • New, Novice or Nervous? 151: Getting beyond bad ‘source work'

      Teaching History feature
    This page is for those new to the published writings of history teachers. Every problem you wrestle with, other teachers have wrestled with too. Quick fixes don't exist. But if you discover others' writing, you'll soon find - and want to join - something better: an international conversation in which...
    New, Novice or Nervous? 151: Getting beyond bad ‘source work'
  • Enquiries to engage Year 7 in medieval anarchy

      Teaching History article
    Wrestling with Stephen and Matilda: planning challenging enquiries to engage Year 7 in medieval anarchy McDougall found learning about Stephen and Matilda fascinating, was sure that her pupils would also and designed an enquiry to engage them in ‘the anarchy' of 1139-1153 AD. Pupils enjoyed exploring ‘the anarchy' and learning...
    Enquiries to engage Year 7 in medieval anarchy
  • Time's arrows? Using a dartboard scaffold to understand historical action

      Teaching History article
    Arthur Chapman presents a task-specific scaffold - a ‘dart' board - designed to teach students how to interrogate sources of information so that these become sources of evidence for particular claims about past actions, beliefs and aims. Chapman also uses his ‘dart' board to foster students' reflection on the degrees of...
    Time's arrows? Using a dartboard scaffold to understand historical action
  • Using visual sources to generate conversation

      Teaching History article
    Jane Card has long been fascinated by the power of visual sources to stimulate pupil thought and discussion. In previous articles she has shared insights from her own expert practice, fusing deep subject knowledge with careful planning to generate highly skilful questioning. Here she presents another rich example of classroom...
    Using visual sources to generate conversation
  • Triumphs Show 148.2: using pupil dialogue to encourage engagement with sources

      Teaching History feature
    Using pupil dialogue to encourage sophisticated engagement with source material - even at GCSE! Frustrated by the mechanistic approach that their pupils were using when working with historical sources, Tim Jenner and Paul Nightingale sought to experiment with a method of teaching sources which eschewed practice source questions in favour...
    Triumphs Show 148.2: using pupil dialogue to encourage engagement with sources
  • Cunning Plan 147: Getting students to use classical texts

      Teaching History feature
    The following plan provides a more detailed practical example of the approaches discussed in the article on using ancient texts. Having puzzled over what ancient texts actually are - carefully constructed interpretations? testimonies? (but testimonies to what?) myths? - I wanted my Ancient History GCSE class to engage in this...
    Cunning Plan 147: Getting students to use classical texts
  • Community engagement in local history

      Teaching History article
    This article, by Lynda Abbott and Richard Grayson, offers a fascinating example of collaboration between school and university, focused on the development of a community archive. The project - run as an extra-curricular activity - was originally inspired by a concern to preserve the personal stories of those whose lives...
    Community engagement in local history
  • Using visual sources to understand the arguments for women's suffrage

      Teaching History article
    Visual sources, Jane Card argues, are a powerful resource for historical learning but using them in the classroom requires careful thought and planning. Card here shares how she has used visual source material in order to teach her students about the women's suffrage movement. In particular, Card shows how a...
    Using visual sources to understand the arguments for women's suffrage
  • How can students' use of historical evidence be enhanced?

      Teaching History article
    Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated. What role does knowledge play in the interpretation of documentary materials? How do history students use what they know? What kind of knowledge really ‘makes the difference' and which ways of using knowledge make the...
    How can students' use of historical evidence be enhanced?
  • Investigating students' prior understandings of the Holocaust

      Teaching History article
    Students make sense of new learning on the basis of their prior understandings: we cannot move our students' thinking on unless we understand what they already know. In this article, Edwards and O'Dowd report how they set out to scope a group of Y ear 8  students' prior learning and...
    Investigating students' prior understandings of the Holocaust
  • Triumphs Show 141: using family photos to bring the diversity of Jewish lives to life

      Teaching History feature
    Headteachers, Hungarians and hats: using family photos to bring the diversity of Jewish lives to life It is 9.35am on a wet Tuesday. As the rain falls outside, fingers twitch in a Y ear 9 history classroom. The instruction is given and 28 pairs of hands spring into action, rifling...
    Triumphs Show 141: using family photos to bring the diversity of Jewish lives to life
  • The Holocaust in history and history in the curriculum

      Teaching History article
    In this powerfully argued article Paul Salmons focuses directly on the distinctive contribution that a historical approach to the study of the Holocaust makes to young people's education. Not only does he question the adequacy of objectives focused on eliciting purely emotional responses; he issues a strong warning that turning...
    The Holocaust in history and history in the curriculum
  • A question of attribution: working with ghetto photographs

      Teaching History article
    Holocaust imagery is very familiar, clichéd even. How can we get pupils thinking about it in novel ways and seeing differently? Phillips reports work completed with his PGCE students, proposes a scaffold of questions with which to deconstruct images and applies it to  archive images and to Hollywood representations. Images...
    A question of attribution: working with ghetto photographs
  • Deepening post-16 students' historical engagement with the Holocaust

      Teaching History article
    Peter Morgan represents what is best about the reflective practitioner - an experienced teacher of some 15 years' standing, he continues to challenge himself and to seek ways to improve and develop his classroom practice. Deeply influenced by the pedagogy and resources that he encountered on the CPD of the Institute...
    Deepening post-16 students' historical engagement with the Holocaust
  • Bob Dylan and the concept of evidence

      Teaching History article
    No edition of Teaching History devoted to creativity could be complete without returning to the riches that popular songs offer to historians and history teachers alike. The five Bob Dylan songs that Christopher Edwards explores here are chosen not merely for their ‘literary qualities' and ‘emotional charge'; they also provide...
    Bob Dylan and the concept of evidence
  • Information and Evidence In a Nutshell

      Article
    Nutshell, what's the National Curriculum Attainment Target on about when it contrasts "information" and "evidence"? Aren't they the same thing? They aren't really things. The contrast is between ways of thinking about knowledge rather than between things. Pardon me? One way of talking about knowledge involves ‘looking things up': we...
    Information and Evidence In a Nutshell