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  • Using historical discourse to find narrative coherence in the GCSE period study

      Teaching History article
    When planning a GCSE period study on the American West, Alex Ford wrestled with reconciling the content demands of the examination specifications with the need to provide his students with a memorable narrative. In this article, Ford shows how he drew on the latest academic scholarship to construct a rigorous,...
    Using historical discourse to find narrative coherence in the GCSE period study
  • Teaching Year 9 to take on the challenge of structure in narrative

      Teaching History article
    Reflecting on challenges that had surfaced in their own and others’ efforts to get pupils to write historical narratives, Rachel Foster and Kath Goudie went back to the drawing board to consider the disciplinary purposes of narrative. They used both historical scholarship and theoretical works by historians on narrative construction....
    Teaching Year 9 to take on the challenge of structure in narrative
  • What kinds of feedback help students produce better historical narratives of the interwar years?

      Teaching History article
    Narrative has begun to take its place alongside the essay, for so long the stereotypical currency of the history teacher and student. In this work, based on his experiences as a PGCE student, Alex Rodker argues powerfully that it is time now to consider how to help students to produce...
    What kinds of feedback help students produce better historical narratives of the interwar years?
  • Conducting the orchestra to allow our students to hear the symphony

      Journal article
    Alex Ford and Richard Kennett both welcome the renewed emphasis on knowledge within recent curriculum reforms in England, but are concerned about some of the ways in which the principle of a ‘knowledge-rich’ curriculum has been interpreted and transformed into particular pedagogical prescriptions. In this article they explain their reasons...
    Conducting the orchestra to allow our students to hear the symphony
  • Using the concept of place to help Year 9 students to visualise the complexities of the Holocaust

      Teaching History article
    Inspired by the work of the social and cultural historian Tim Cole, Stuart Farley decided to look again at the way he teaches the Holocaust. He wanted to focus on the geographical concept of place as a way of enabling his Year 9 students to build far more diverse narratives,...
    Using the concept of place to help Year 9 students to visualise the complexities of the Holocaust
  • Narrative: the under-rated skill

      Teaching History article
    ‘Mere narrative’, ‘lapses into narrative’, ‘a narrative answer that fails to answer the question set’. These phrases flow in the blood of history teachers, from public examination criteria to regular classroom discourse. Whilst most of us use narrative in our teaching methods, we have demonised narrative in pupils’ written answers....
    Narrative: the under-rated skill
  • 'If Jesus Christ were amongst them, they would deceive Him'

      Teaching History article
    During discussions about planning, Tim Kemp and Charlotte Bickmore recently concluded that despite the name they give to their major Year 8 unit (The Making of the United Kingdom), they tend mainly to focus on England, and even more especially, on London. They have a good point. Ask an average...
    'If Jesus Christ were amongst them, they would deceive Him'
  • Using this map and all your knowledge, become Bismarck

      Teaching History article
    Understanding the past is not an abstract exercise. Historical questions revolve around decisions made by real people under real pressure. As historians, we factor psychological pressure into our analysis. How, though, are we to enable our students to do the same? To study why Bismarck began a programme of overseas...
    Using this map and all your knowledge, become Bismarck
  • Working with sources: scepticism or cynicism? Putting the story back together again

      Teaching History article
    Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated. Many history teachers will remember the feature on Jamie Byrom's teaching in Times Educational Supplement of July 1996 where he attacked the recent fashion of history textbooks for encouraging only short (and usually formulaic) responses...
    Working with sources: scepticism or cynicism? Putting the story back together again
  • Little Jack Horner and polite revolutionaries: putting the story back into history

      Teaching History article
    Three years ago, Séan Lang argued that narrative, which had gone rather out of fashion, needed to be brought back into our teaching. Alf Wilkinson goes further. It is not just narrative which is needed: it is story. The move away from story is not a problem confined uniquely to...
    Little Jack Horner and polite revolutionaries: putting the story back into history
  • Mussolini's marriage and a game in the playground: using analogy to help pupils understand the past

      Teaching History article
    Diana Laffin and Maggie Wilson want their pupils to connect with people in the past and to experience some of their emotions. The emotional factor is a difficult one in history, both for pupils and professional historians. When studying Eden’s actions at Suez, for example, what we lack is a...
    Mussolini's marriage and a game in the playground: using analogy to help pupils understand the past
  • Getting personal: making effective use of historical fiction in the history classroom.

      Teaching History article
    Writing stories in history lessons? But we don’t do things like that in history do we? Strange bedfellows though history and fiction might seem, Dave Martin and Beth Brooke make a strong case for collaboration between the English and history departments in order to introduce students to the challenging task...
    Getting personal: making effective use of historical fiction in the history classroom.
  • A noisy classroom is a thinking classroom: speaking and listening in Year 7 history

      Teaching History article
    Rachael Rudham describes the thinking and discussion that led her department to plan systematically for the integration of speaking and listening tasks into Year 7 history lessons. Speaking and listening is a serious business; it is not a ‘light’ option, argues Rachael, and it should never be used as a...
    A noisy classroom is a thinking classroom: speaking and listening in Year 7 history
  • Stretching the straight jacket of assessment: use of role play and practical demonstration to enrich pupils' experience of history at GCSE and beyond

      Teaching History article
    As in his previous, popular and influential Teaching History articles, Ian Luff has once again provided us with a wide range of high-quality, practical activities informed by a rigorous and persuasive rationale. This time, he has turned his attention to the use of role play and active demonstration at GCSE...
    Stretching the straight jacket of assessment: use of role play and practical demonstration to enrich pupils' experience of history at GCSE and beyond
  • 'Which was more important Sir, ordinary people getting electricity or the rise of Hitler?' Using Ethel and Ernest with Year 9

      Teaching History article
    Mike Murray offers further new perspectives on the relationship between overview and depth in pupils’ historical learning. In an account of his teaching with Raymond Briggs’ Ethel and Ernest to a ‘below-average ability’ class in Year 9, he constructs a rationale for using this moving strip cartoon to motivate, intrigue...
    'Which was more important Sir, ordinary people getting electricity or the rise of Hitler?' Using Ethel and Ernest with Year 9
  • New, Novice or Nervous? 164: Constructing narrative

      Teaching History feature: the quick guide to the no-quick-fix
    Narrative is shedding its status as the ‘underrated skill’, re-emerging as a requirement of the new GCSE in England. As Counsell has argued, constructing a narrative is ‘no easy option’, however, and asking students to ‘Write an account…’ lacks the comfortable familiarity of ‘Explain why…’ or ‘How far…’. Fortunately, many...
    New, Novice or Nervous? 164: Constructing narrative
  • Nutshell

      Article
    This edition of 'Nutshell' discusses 'hybrid' history.
    Nutshell
  • Nutshell

      Article
    This edition of 'Nutshell' focuses on moral history.
    Nutshell
  • Nutshell

      Article
    This edition of 'Nutshell' investigates narratives.
    Nutshell
  • Beyond slavery

      Teaching History article
    Influenced by her own experiences, preliminary research, and recent political events, Teni Oladehin sought to thoroughly review how Black history was introduced to her students at Key Stage 3. In particular, she aimed to introduce Black history with an ‘authentic’ narrative which brought Black agency into the foreground. In this article, Oladehin shows how an enquiry on the significance of Mansa Musa both...
    Beyond slavery
  • What’s in a narrative? Unpicking Year 9 narratives of change in Stalin’s Russia

      Teaching History article
    Is it structure or the selection of knowledge that makes writing historical narrative so difficult? Where does a conceptual focus on change, or causation, come in? James Ellis set out to explore the challenges his Year 9 pupils faced in writing historical narratives about change. Inspired by the work of...
    What’s in a narrative? Unpicking Year 9 narratives of change in Stalin’s Russia
  • Absence and myopia in A-level coursework

      Teaching History article
    It is a charge commonly laid at history teachers that we, myopically, teach only the same-old same-old. Steven Driver has taken extreme steps to avoid this by focusing on a particular neglected event – the American occupation of Nicaragua in the early twentieth century – as part of his preparation...
    Absence and myopia in A-level coursework
  • Why are you wearing a watch? Complicating narratives of economic and social progress

      Teaching History article
    Frustrated by the traditional narrative of the industrial revolution as a steady march of progress, and disappointed by her students’ dull and deterministic statements about historical change, Hannah Sibona decided to complicate the tidy narrative of continual improvement. Inspired by an article by E.P. Thompson, Sibona reflected that introducing her...
    Why are you wearing a watch? Complicating narratives of economic and social progress
  • Putting Catlin in his place?

      Teaching History article
    Jess Landy’s desire to introduce her pupils to a more complex narrative of the American West led her to the life story and work of a remarkable individual, George Catlin.  In this article she shows how she used this unusual micro-narrative in order to challenge pupils’ ideas not just about the bigger narrative of which it is a part, but about the...
    Putting Catlin in his place?
  • Year 9 - Connecting past, present and future

      Teaching History article
    Possible futures: using frameworks of knowledge to help Year 9 connect past, present and future How can we help pupils integrate history into coherent ‘Big Pictures' or mental frameworks? Building on traditions of classroom research and theorising reported in earlier editions of Teaching History, Dan Nuttall reports how his department set...
    Year 9 - Connecting past, present and future