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  • Questions and answers about questions and answers

      Teaching History article
    Intrigued by the wide range of pupils’ responses to a sourcebased essay question, Jonathan Sellin decided to investigate why pupils were using sources in such different ways. Probing his own philosophical assumptions about history, and how they have changed over time, prompted Sellin to explore pupils’ assumptions about how historians use sources to make claims about the past. By asking pupils to...
    Questions and answers about questions and answers
  • Assessing the Battle of Waterloo in the classroom

      Teaching History article
    Defying the Iron Duke: assessing the Battle of Waterloo in the classroom The approaching bicentenary of the Battle of Waterloo has stimulated debate about how it should be commemorated. This article reports a collaboration between the Waterloo200 Committee and Tom Wheeley, history teacher, to create a lesson sequence analysing the...
    Assessing the Battle of Waterloo in the classroom
  • Teaching students to argue for themselves - KS3

      Teaching History article
    Keeley Richards secured a fundamental shift in some of her Year 13 students' ability to argue. She did it by getting them to engage more fully with the practice of argument itself, as enacted by four historians. At the centre of her lesson sequence was an original activity: the historians'...
    Teaching students to argue for themselves - KS3
  • Bob Dylan and the concept of evidence

      Teaching History article
    No edition of Teaching History devoted to creativity could be complete without returning to the riches that popular songs offer to historians and history teachers alike. The five Bob Dylan songs that Christopher Edwards explores here are chosen not merely for their ‘literary qualities' and ‘emotional charge'; they also provide...
    Bob Dylan and the concept of evidence
  • Triumphs Show 141: using family photos to bring the diversity of Jewish lives to life

      Teaching History feature
    Headteachers, Hungarians and hats: using family photos to bring the diversity of Jewish lives to life It is 9.35am on a wet Tuesday. As the rain falls outside, fingers twitch in a Y ear 9 history classroom. The instruction is given and 28 pairs of hands spring into action, rifling...
    Triumphs Show 141: using family photos to bring the diversity of Jewish lives to life
  • Do we need another hero? Rorke's Drift

      Teaching History article
    Do we need another hero? Year 8 get to grips with the heroic myth of the Defence of Rorke's Drift in 1879 Mike Murray shares a lesson sequence in which his students examined changing interpretations of the Battle of Rorke's Drift in 1879. Building on earlier work on teaching interpretations...
    Do we need another hero? Rorke's Drift
  • Have we got the question right? Engaging future citizens in local history enquiry

      Teaching History article
    Gary Clemitshaw describes a five-lesson sequence integrating history, citizenship and ICT. He examines the varied rationales and problems underlying a citizenship-history link and then argues for the role of the local dimension in securing a connection that preserves the integrity of the discipline of history. He focuses upon causation as...
    Have we got the question right? Engaging future citizens in local history enquiry
  • Does the linguistic release the conceptual? Helping Year 10 to improve their casual reasoning

      Teaching History article
    Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated. Does new vocabulary help students to express existing ideas for which they do not yet have words or does it actually give them new ideas which they did not previously hold? James Woodcock asks whether...
    Does the linguistic release the conceptual? Helping Year 10 to improve their casual reasoning
  • Emotional response or objective enquiry? Using shared stories and a sense of place in the study of interpretations for GCSE

      Article
    In this article, Andrew Wrenn explores some issues that teachers might consider when supporting 14 and 15 year olds in their study of war memorials as historical interpretations. Tony McAleavy has argued that ‘popular' and ‘personal' interpretations and representations are just as worthy of study at Key Stage 3 as...
    Emotional response or objective enquiry? Using shared stories and a sense of place in the study of interpretations for GCSE
  • Triumphs Show 156: Fresh perspectives on the First World War

      Teaching History feature: celebrating and sharing success
    Year 9 think they know a lot about the First World War. After all, they read Michael Morpurgo's novel Private Peaceful in their English lessons all the way back in Year 7, they've seen Blackadder so many times they can recite it, and in the centenary year of the war's...
    Triumphs Show 156: Fresh perspectives on the First World War
  • Polychronicon 142: 'instructive reversals' - (re)interpreting the 1857 events in Northern India

      Teaching History feature
    The dramatic, chaotic and violent events that took place in Northern India in 1857/8 have been interpreted in many ways, as, for example, the ‘Indian Mutiny', the ‘Sepoy War' and the ‘First Indian War of Independence'. The tales that have been told about these events have been profoundly shaped, however,...
    Polychronicon 142: 'instructive reversals' - (re)interpreting the 1857 events in Northern India
  • Approaches to planning interpretations-focused enquiries.

      Article
    Michael Riley, member of the HA Secondary Committee and History PGCE Tutor at Bath Spa University. In recent years, teaching about different interpretations of history has been one of the most exciting and challenging aspects of Key Stage 3 history. Interpretations-focused enquiries allow pupils to see that argument and debate are...
    Approaches to planning interpretations-focused enquiries.
  • Cunning Plan 152.2: using Gillray’s cartoons with Year 8

      Teaching History feature
    The past 30 years have seen a general revival in scholarly activity relating to ‘all aspects of 18th-century British history'. However, this increase in academic study, which has broadly coincided with the introduction and development of the National Curriculum in England, has not resulted in the period being studied in great...
    Cunning Plan 152.2: using Gillray’s cartoons with Year 8
  • Teaching pupils to analyse cartoons

      Article
    In this practical account of a key aspect of history departmental policy, Joseph O'Neill presents a rationale for the systematic teaching of analytical techniques. Alert to the dangers of mechanistic and formulaic examination responses, the author draws a distinction between the limiting rigidity of the learned response and the systematic...
    Teaching pupils to analyse cartoons
  • 'Picture This': A simple technique to teach complex concepts

      Teaching History article
    When Peter Clements was introduced to the creative strategy that he describes in this article, his immediate reaction was to dismiss it as childish and trivial. Yet, upon closer examination, he realised that ‘Picture This' offered far more than a lively way of increasing variety and engagement in his GCSE...
    'Picture This': A simple technique to teach complex concepts
  • Being an historian

      Teaching History article
    In this article, Robin Conway and Amy Scott show how they made use of online source archives to replicate the experience of an academic historian in the classroom. By changing the way that students approach sources, moving away from both ‘fun activities’ and formulaic exam preparation towards a more authentic experience, they show how students’ interpretation of sources can demonstratehigher-level thinking. Through the use...
    Being an historian
  • Cunning Plan 147: Getting students to use classical texts

      Teaching History feature
    The following plan provides a more detailed practical example of the approaches discussed in the article on using ancient texts. Having puzzled over what ancient texts actually are - carefully constructed interpretations? testimonies? (but testimonies to what?) myths? - I wanted my Ancient History GCSE class to engage in this...
    Cunning Plan 147: Getting students to use classical texts
  • Polychronicon 122: The Gunpowder Plot

      Teaching History feature
    Our Polychronicon in Teaching History is a regular feature helping school history teachers to update their subject knowledge, with special emphasis on recent historiography and changing interpretation. This edition of 'Polychronicon' focuses on interpretations of the Gunpowder Plot.
    Polychronicon 122: The Gunpowder Plot
  • Cunning Plan 161: Magna Carta's legacy

      Teaching History feature
    Both Dawson and Hayes have recently written Cunning Plans that show how exciting Magna Carta is. So why not stop there? Bring the barons to life with a flare of Dawson and send Magna Carta flying across the continent with just a hint of Hayes. Hey, from the same edition,...
    Cunning Plan 161: Magna Carta's legacy
  • The wrong beach? Interpretation, location and film

      Teaching History article
    In this article Paul Sutton examines the concerns associated with place in films. He points out the problems that this poses for our students - problems mainly, but not only, associated with a common lack of geographical authenticity. But this, he suggests, can be turned to our advantage. For what...
    The wrong beach? Interpretation, location and film
  • Being ambitious with the causes of the First World War: interrogating inevitability

      Article
    Gary Howells asks hard questions about typical teaching and assessment of historical causation at Key Stage 3. Popular activities that may be helpful in addressing particular learning areas, or in teaching pupils to use the terminology of causation, are not in themselves evidence of having acquired a ‘skill'. Howells invites...
    Being ambitious with the causes of the First World War: interrogating inevitability
  • Seeing, hearing and doing the Renaissance (Part 1): Let's have a Renaissance party!

      Teaching History article
    In two, linked articles, appearing in this and the next edition, Maria Osowiecki shares an account of a five-lesson enquiry, based on the concept of historical significance (National Curriculum Key Element 2e) for mixed ability Year 8. She wanted to experiment with an array of creative teaching techniques that would...
    Seeing, hearing and doing the Renaissance (Part 1): Let's have a Renaissance party!
  • Polychronicon 114: interpretations of Oliver Cromwell

      Teaching History feature
    Polychronicon was a fourteenth-century chronicle that brought together much of the knowledge of its own age. Our Polychronicon in Teaching History is a regular feature helping school history teachers to update their subject knowledge, with special emphasis on recent historiography and changing interpretation. This edition of 'Polychronicon' investigates the differing...
    Polychronicon 114: interpretations of Oliver Cromwell
  • Illuminating the shadow: making progress happen in casual thinking through speaking and listening

      Teaching History article
    Here is another breath of fresh air from the Thomas Tallis history department. In TH 103, Head of Department Tony Hier showed how he developed a rigorous framework for implementing government initiatives and improving departmental professional discourse at the same time. This time, from history teacher Vaughan Clark, we get...
    Illuminating the shadow: making progress happen in casual thinking through speaking and listening
  • From ‘double vision’ to panorama: exploring interpretations of Nazi popularity

      Teaching History article
    Jim Carroll relished the opportunity, in the new A-level specification he was teaching, to find an effective way of teaching his students to analyse interpretations in their coursework essays. Reflecting on the difficulties he had faced as a trainee teacher teaching younger pupils about interpretations, and dissatisfied with examination board...
    From ‘double vision’ to panorama: exploring interpretations of Nazi popularity