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  • Polychronicon 166: The ‘new’ historiography of the Cold War

      Teaching History feature
    A great deal of new writing on the Cold War sits at the crossroads of national, transnational and global perspectives. Such studies can be so self-consciously multi-archival and multipolar, methodologically pluralist in approach and often ‘decentring’ in aim, that some scholars now worry that the Cold War risks losing its coherence as a distinct object of...
    Polychronicon 166: The ‘new’ historiography of the Cold War
  • Touching, feeling, smelling, and sensing history through objects

      Teaching History article
    Lots has been written in recent years about how history teachers can bring academic scholarship into the classroom. This article  takes this interest in academic practice a step further, examining how pupils can engage directly with the kinds of sources to which historians are increasingly turning their attention: the ‘everyday’ objects of ordinary life. Building on...
    Touching, feeling, smelling, and sensing history through objects
  • ‘What is history?’ Africa and the excitement of sources with Year 7

      Teaching History article
    Many history departments choose to begin their Year 7 curriculum with an introduction to the nature of history and the processes in which historians engage as they develop, refine and substantiate claims about the past. In this article, Adbul Mohamud and Robin Whitburn report on an such an introductory unit, designed with a specific focus on the history...
    ‘What is history?’ Africa and the excitement of sources with Year 7
  • Berlin and the Holocaust: a sense of place?

      Teaching History article
    As more and more schools take students on visits to locations associated with the history of the Holocaust, history teachers have to find ways to make these places historically meaningful for their students. David Waters shows here how he introduced his students to the multiple narratives associated with the history...
    Berlin and the Holocaust: a sense of place?
  • Move Me On 92: Having problems teaching causation

      The problem page for history mentors
    This Issue's Problem: Melville Miles, student history teacher, is in Term 3 of his PGCE year. Melville has taught a number of excellent lessons in which he enabled pupils to reach high levels of historical understanding. His diagnostic assessment of pupils' work is unusually sophisticated for a PGCE student. Melville's...
    Move Me On 92: Having problems teaching causation
  • Using the present to construct a meaningful picture of the medieval past

      Teaching History article
    In this article, Jessica Phillips returns to a theme explored in the Historical Association’s publication Exploring and Teaching Medieval History in Schools – the challenge of teaching about the medieval past in ways that acknowledge its vibrant complexity and create a genuine sense of resonance rather than condescension or blank...
    Using the present to construct a meaningful picture of the medieval past
  • Lengthening Year 9’s narrative of the American civil rights movement

      Teaching History article
    Inspired by reading the work of Stephen Tuck, Ellie Osborne set out to design a new sequence of lessons that would help her students adopt a longer lens on the American civil rights movement. At the same time, Osborne wanted to put more emphasis on the agency and campaigns of activists,...
    Lengthening Year 9’s narrative of the American civil rights movement
  • Unpacking the suitcase and finding history: doing justice to the teaching of diverse histories in the classroom

      Teaching History article
    Unpacking the suitcase and finding history: doing justice to the teaching of diverse histories in the classroom It has become a truism that Britain is a multi-cultural society yet, as Mohamud and Whitburn argue, there is still a great deal of thinking to be done by history teachers in accounting...
    Unpacking the suitcase and finding history: doing justice to the teaching of diverse histories in the classroom
  • Triumphs Show 157: What makes art history?

      Teaching History feature: celebrating and sharing success
    What do 14 Year 7 students, an art teacher, a history teacher and the Victoria and Albert Museum have in common? They are all part of the ‘Stronger Together' Museum Champion project run by The Langley Academy and the River & Rowing Museum and supported by Arts Council England, designed to...
    Triumphs Show 157: What makes art history?
  • Frameworks for linking pupils' evidential understanding with growing skill in structured, written argument: the 'evidence sandwich'

      Teaching History article
    Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated. History teachers are increasingly good at designing exercises which develop skill in evidence analysis. The ubiquitous ‘source' is invariably analysed for utility and reliability. But how do pupils integrate such understandings with extended written work?...
    Frameworks for linking pupils' evidential understanding with growing skill in structured, written argument: the 'evidence sandwich'
  • History and the perils of multiculturalism in 1990s Britain

      Teaching History article
    Ian Grosvenor's article points both to dangers and to positive potential in the National Curriculum for history. Critical of the published proposals for history in the current curriculum review, he points not only at the continuing narrowness of the perspectives enshrined by the proposed curriculum but at the reasons why...
    History and the perils of multiculturalism in 1990s Britain
  • Gladstone spiritual or Gladstone material? A rationale for using documents at AS and A2

      Teaching History article
    Rather than taking a sledgehammer approach to planning for the new AS and A2 courses Gary Howells has used the opportunity to reflect on characteristics of students' historical learning in the post-16 phase. He argues for a much fuller rationale for using documents than mere preparation for exams or coursework....
    Gladstone spiritual or Gladstone material? A rationale for using documents at AS and A2
  • The knowledge illusion

      Teaching History article
    Focusing on students’ attempts to explain the relative significance of different factors in Hitler’s rise to power, Catherine McCrory explores the vexed question of why students who seem able to express necessary historical knowledge on one occasion cannot effectively reproduce it on another. Drawing on a detailed analysis of what...
    The knowledge illusion
  • Understanding 'change and continuity' through colours and timelines

      Teaching History article
    The small-scale research that Yosanne Vella reports in this article was driven by concern to help pupils develop ‘big picture' visions of the past and to engage effectively with the idea of change as a process rather than an event. The strategy that she adopts - asking groups of students...
    Understanding 'change and continuity' through colours and timelines
  • The wrong beach? Interpretation, location and film

      Teaching History article
    In this article Paul Sutton examines the concerns associated with place in films. He points out the problems that this poses for our students - problems mainly, but not only, associated with a common lack of geographical authenticity. But this, he suggests, can be turned to our advantage. For what...
    The wrong beach? Interpretation, location and film
  • ‘Its ultimate pattern was greater than its parts’

      Teaching History journal article
    Identifying the challenges his students faced both with recall and analysis of the content they had learned for their GCSE course, Ed Durbin devised a solution which focused not on exam skills and revision lessons, but on using Key Stage 3 to build the ‘hinterland’ of contextual knowledge and causal...
    ‘Its ultimate pattern was greater than its parts’
  • Using visual sources to generate conversation

      Teaching History article
    Jane Card has long been fascinated by the power of visual sources to stimulate pupil thought and discussion. In previous articles she has shared insights from her own expert practice, fusing deep subject knowledge with careful planning to generate highly skilful questioning. Here she presents another rich example of classroom...
    Using visual sources to generate conversation
  • Putting Catlin in his place?

      Teaching History article
    Jess Landy’s desire to introduce her pupils to a more complex narrative of the American West led her to the life story and work of a remarkable individual, George Catlin.  In this article she shows how she used this unusual micro-narrative in order to challenge pupils’ ideas not just about the bigger narrative of which it is a part, but about the...
    Putting Catlin in his place?
  • Does the linguistic release the conceptual? Helping Year 10 to improve their casual reasoning

      Teaching History article
    Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated. Does new vocabulary help students to express existing ideas for which they do not yet have words or does it actually give them new ideas which they did not previously hold? James Woodcock asks whether...
    Does the linguistic release the conceptual? Helping Year 10 to improve their casual reasoning
  • Stepping into the past: using images to travel through time

      Teaching History article
    Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated. Pupils are eternally curious about their teachers. Do they really have lives outside the classroom? Could Miss Jones have once been a child? Does she have parents and grandparents and a past of her own?...
    Stepping into the past: using images to travel through time
  • Evidence: Specific examples

      Article
    Evidence: Specific examples
  • Using visual sources to understand the arguments for women's suffrage

      Teaching History article
    Visual sources, Jane Card argues, are a powerful resource for historical learning but using them in the classroom requires careful thought and planning. Card here shares how she has used visual source material in order to teach her students about the women's suffrage movement. In particular, Card shows how a...
    Using visual sources to understand the arguments for women's suffrage
  • ‘Miss, what’s the point of sources?’ Helping Year 11 to understand the discipline

      Teaching History article
    Clare Bartington noticed that her students’ focus on the specific kinds of question used in examinations appeared to have undermined their understanding of how historians actually use sources. Instead of approaching the traces or ‘leftovers’ of the past as potential sources of evidence in relation to a particular question, her students believed...
    ‘Miss, what’s the point of sources?’ Helping Year 11 to understand the discipline
  • Year 9 use a 'road map' to problematise change and continuity

      Teaching History article
    Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated. Rachel Foster, a trainee teacher on teaching placement in November of her PGCE year, wanted her Year 9 pupils to understand the complexity of historical change. She also wanted them to find the difficult challenge...
    Year 9 use a 'road map' to problematise change and continuity
  • Thematic or sequential analysis in causal explanations

      Teaching History article
    Struck by what he saw as the complexity, artistry and cognitive achievement of historians' narrative accounts, Robin Kemp decided to explore ways of teaching his pupils to write narrative and to analyse the role of such writing in developing various kinds of historical thinking. Working with Year 8 and Year...
    Thematic or sequential analysis in causal explanations