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  • The wrong beach? Interpretation, location and film

      Teaching History article
    In this article Paul Sutton examines the concerns associated with place in films. He points out the problems that this poses for our students - problems mainly, but not only, associated with a common lack of geographical authenticity. But this, he suggests, can be turned to our advantage. For what...
    The wrong beach? Interpretation, location and film
  • What’s The Wisdom On... change and continuity?

      Teaching History feature
    When it comes to historical change and continuity, what are history teachers asking pupils to think about and do? What's the Wisdom On... is a short guide providing new history teachers with an overview of the ‘story so far’ of practice-based professional thinking about a particular aspect of history teaching. It...
    What’s The Wisdom On... change and continuity?
  • Witchcraft - Using fiction with Year 8s

      Teaching History article
    Which women were executed for witchcraft? And which pupils cared?  Paula Worth was concerned that her low-attaining set were only going through the motions when tackling causal explanation. Identifying, prioritising and weighing causes seemed an empty routine rather than a fascinating puzzle engaging intellect and imagination. She was also concerned...
    Witchcraft - Using fiction with Year 8s
  • Beyond bias: making source evaluation meaningful to year 7

      Teaching History article
    In this article, Heidi Le Cocq demonstrates how to introduce Year 7 pupils to sophisticated techniques for evaluating sources. Taking up Seán Lang's criticism of the inappropriate use of the term ‘bias', she shows how even very young pupils can be encouraged to move beyond this wearisome response to questions...
    Beyond bias: making source evaluation meaningful to year 7
  • 'Picture This': A simple technique to teach complex concepts

      Teaching History article
    When Peter Clements was introduced to the creative strategy that he describes in this article, his immediate reaction was to dismiss it as childish and trivial. Yet, upon closer examination, he realised that ‘Picture This' offered far more than a lively way of increasing variety and engagement in his GCSE...
    'Picture This': A simple technique to teach complex concepts
  • Counterfactual Reasoning: Comparing British and French History

      Teaching History article
    Year 8 use counterfactual reasoning to explore place and social upheaval in eighteenth-century France and Britain Two linked motivations inspired Ellen Buxton's research study: she wanted pupils to make connections between British and French history and she wanted to explore the potential of counter-factual reasoning within a causation enquiry. It...
    Counterfactual Reasoning: Comparing British and French History
  • Using 1980s popular music to explore historical significance

      Teaching History article
    Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated. Scott Allsop helped his students to uncover the implicit criteria informing someone else's attribution of historical significance to past events. That ‘someone else' was Billy Joel whose 1989 song became the focus for deconstructive analysis....
    Using 1980s popular music to explore historical significance
  • Have we got the question right? Engaging future citizens in local history enquiry

      Teaching History article
    Gary Clemitshaw describes a five-lesson sequence integrating history, citizenship and ICT. He examines the varied rationales and problems underlying a citizenship-history link and then argues for the role of the local dimension in securing a connection that preserves the integrity of the discipline of history. He focuses upon causation as...
    Have we got the question right? Engaging future citizens in local history enquiry
  • Mussolini's missing marbles: simulating history at GCSE

      Teaching History article
    Arthur Chapman and James Woodcock have collaborated before: Woodcock extended Chapman’s familiar casual metaphor of the final straw breaking a poor abused camel’s back. Here, they collaborate more explicitly to suggest a means of teaching students to produce adequately nuanced historical explanation. Their two central ideas are to produce a...
    Mussolini's missing marbles: simulating history at GCSE
  • Evidence: Specific examples

      Article
    Evidence: Specific examples
  • 'Didn't we do that in Year 7?' Planning for progress in evidential understanding

      Teaching History article
    Christine Counsell describes a lively activity, ideal for Year 9, in which pupils compare and interrelate a collection of sources. The activity leads pupils into thinking about the sources as a collection, and about the enquiry as an evidential problem. Or at least it can do. The article discusses the...
    'Didn't we do that in Year 7?' Planning for progress in evidential understanding
  • Teaching pupils to analyse cartoons

      Teaching History article
    Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated. In this practical account of a key aspect of history departmental policy, Joseph O'Neill presents a rationale for the systematic teaching of analytical techniques. Alert to the dangers of mechanistic and formulaic examination responses, the...
    Teaching pupils to analyse cartoons
  • Approaches to planning interpretations-focused enquiries.

      Article
    Michael Riley, member of the HA Secondary Committee and History PGCE Tutor at Bath Spa University. In recent years, teaching about different interpretations of history has been one of the most exciting and challenging aspects of Key Stage 3 history. Interpretations-focused enquiries allow pupils to see that argument and debate are...
    Approaches to planning interpretations-focused enquiries.
  • Seeing, hearing and doing the Renaissance (Part 1): Let's have a Renaissance party!

      Teaching History article
    In two, linked articles, appearing in this and the next edition, Maria Osowiecki shares an account of a five-lesson enquiry, based on the concept of historical significance (National Curriculum Key Element 2e) for mixed ability Year 8. She wanted to experiment with an array of creative teaching techniques that would...
    Seeing, hearing and doing the Renaissance (Part 1): Let's have a Renaissance party!
  • Placing history: territory, story, identity - and historical consciousness

      Teaching History article
    How do we relate to the past? Does it tell us who we are? Is it a source of examples to follow and mistakes to avoid? Or can we go beyond that to something genuinely historical? Arthur Chapman and Jane Facey argue that as history teachers we have a responsibility...
    Placing history: territory, story, identity - and historical consciousness
  • Using fictional characters to explore the relationship between historical interpretation and contemporary attitude

      Teaching History article
    Helping students to understand how and why people in the present interpret the past differently is a challenge. It is also vital if we are to develop an understanding of why the meanings we ascribe to the past are not fixed, but rather are subject to our own prejudices or...
    Using fictional characters to explore the relationship between historical interpretation and contemporary attitude
  • Myths and Monty Python: using the witch-hunts to introduce students to significance

      Article
    In this article Kerry Apps introduces students to the significance of the witch-hunts in the modern era, at the time when they occurred, and in the middle of the eighteenth century. She presents her rationale for choosing the witch-hunts as a focus for the study of significance, and shows how her thinking about her teaching has evolved through her evaluation of her students’...
    Myths and Monty Python: using the witch-hunts to introduce students to significance
  • Key Concepts at Key Stage 3

      Key Concepts
    Please note: This unit was produced before the 2014 National Curriculum and therefore while much of the advice is still useful, there may be some out of date references or links. For more recent resources on key concepts, see our What's the Wisdom on series. The key concepts can be divided into three...
    Key Concepts at Key Stage 3
  • Film Series: Active Learning & History

      Multipage Article
    Active learning strategies are engaging but, far more importantly, they make history learning memorable, they encourage resilience and independence, and they are an excellent way to make complex history accessible for all. When used with clear purpose and with knowledge of specific students' needs, they are a tried and tested...
    Film Series: Active Learning & History