-
Political literacy: citizenship through the English national curriculum's the Romans in Britain study unit
Primary History article
Hilary Claire raised fundamental issues about the relationship between History and Citizenship for the development of a sense of identity. Her paper stresses the importance of sceptical thinking, perspective, sequence and progression - the essential chronology that underpins pupil's education for citizenship in the timeframe that history provides...
Political literacy: citizenship through the English national curriculum's the Romans in Britain study unit
-
Global Learning Programme
Global Learning Programme
The Global Learning Programme (GLP) is a ground-breaking new programme which will create a national network of like-minded schools, committed to equipping their students to make a positive contribution to a globalised world by helping their teachers to deliver effective teaching and learning about development and global issues at Key Stages 2...
Global Learning Programme
-
Progression & Assessment without Levels - Guide
Progression & Assessment
In the 2014 national curriculum for primary and secondary history one of the key differences is that, for the first time since 1991, there are no level descriptions against which you can assess pupils' progress. The new attainment target says simply that:
‘By the end of each key stage, pupils...
Progression & Assessment without Levels - Guide
-
Thematic or topic based whole school curriculum planning
Primary History article
Creative curricular planning With the National Curriculum under review, it seems that more schools are taking a creative approach to planning by delivering the curriculum through a focused theme or topic. This has allowed schools to take more ownership of the curriculum and has helped teachers become more innovative in their...
Thematic or topic based whole school curriculum planning
-
Geosong: a transition project
Primary History article
How do we engage young people with their Heritage, answer curriculum needs and make that big leap of transition from primary to secondary school that bit easier?
English Heritage's Geosong treasure hunt website went some way to providing answers. What does the website do? Using handheld GPS devices, groups must...
Geosong: a transition project
-
What makes good primary history?
Transition Training Session 5
This is the 5th in a series of 5 sessions arising from the 2005 KS2-KS3 History Transitions Project:
Transition training session 1: Historical Enquiries & Interpretations
Transition training session 2: Using ICT in the teaching of history
Transition training session 3: Extended writing in history
Transition training session 4: Joan of Arc -...
What makes good primary history?
-
Joan of Arc - Saint, Witch or Warrior?
Transition Training Session 4
This is the 4th of 5 sessions arising from the 2005 KS2-KS3 History Transitions Project:
Transition training session 1: Historical Enquiries & Interpretations
Transition training session 2: Using ICT in the teaching of history
Transition training session 3: Extended writing in history
Transition training session 4: Joan of Arc - Saint,...
Joan of Arc - Saint, Witch or Warrior?
-
Using classic fiction to support the study of childhood in Victorian times
Primary History article
Please note: This article pre-dates the current National Curriculum and some content and references may be outdated.
Classic fiction provides useful sources of information for investigating the lives, beliefs and values of people in the past. In this article Ann Cowling describes activities undertaken with student teachers which may also serve as models...
Using classic fiction to support the study of childhood in Victorian times
-
Key Stage 2-3 History Transition Project
Guide to KS2-KS3 Transition
Please note: these resources pre-date the 2014 National Curriculum. For more recent resources on Transition KS2-KS3 please see:
Transition KS2–KS3 (Primary History article, 2021)
Smooth Transitions: Key Stage 2 to 3 (Primary History article, 2020)
Transition Key Stage 2 and 3 (Primary History article, 2016)
Before 1066 & All That: Transition between...
Key Stage 2-3 History Transition Project
-
Music and history combine at Key Stage 2
Primary History article
Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated.
Section 1: Introduction
Music is a powerful, emotive subject to enrich Historical, Geographical and Social Understanding. The Historical Association has a long and proud tradition of working closely with the Schools Music Association. In 2005, to...
Music and history combine at Key Stage 2
-
Archaeology: A view from the classroom
Primary History article
Please note: this article pre-dates the current National Curriculum and some content and references are outdated.
Perhaps it is the earthiness of the ground beneath our feet which arouses pupils' curiosity. Or maybe, the idea of the unexpected with the hope of finding something precious or unusual, that is so engaging about archaeology....
Archaeology: A view from the classroom
-
How cruel were the Victorians?
Year 6 Scheme of Work
Please note: this resource pre-dates the 2014 National Curriculum.
This unit centres on Victorian crime and punishment.
This resource is free to everyone. For access to hundreds of other high-quality resources by primary history experts along with free or discounted CPD and membership of a thriving community of teachers and...
How cruel were the Victorians?
-
Dealing with the dead: Identity and community - Monuments, memorials and local history
Primary History article
Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated.
Death is one of the most sensitive and controversial issues that teachers encounter, linked inextricably as it is to identity. I think it sometimes escapes our attention that, as teachers of history, we constantly deal...
Dealing with the dead: Identity and community - Monuments, memorials and local history
-
What are the reasons for linking art and history?
Primary History article
Please note: this article pre-dates the 2014 National Curriculum and some content and links may be outdated.
Visual images, paintings, sculpture, photographs, cartoons from past times are important historical sources. Accordingly, Simon Schama embeds visual images and imagery in his historical oeuvre, not primarily as illustration but as a crucial...
What are the reasons for linking art and history?
-
Unpicking the learning potential in creative approaches to studying World War II
Primary History article
Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated.
‘The biggest issue for school history is its limited place in the curriculum.' (Ofsted, 2007)
This central concern of Ofsted's 2007 report, History in the balance, could equally apply to the teaching of drama in primary schools....
Unpicking the learning potential in creative approaches to studying World War II
-
Means and Ends: History, Drama and Education for Life
Primary History article
Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated.
John Fines, Raymond Verrier and I frequently taught as a team trying to discover where drama work and history meet. We were interested in helping children get a grasp of past events which have influenced their...
Means and Ends: History, Drama and Education for Life
-
Planning for diversity in the Key Stage 2 history curriculum
Article
Please note: this article was written before the the 2014 National Curriculum and some content is now outdated, e.g. reference to the QCA. This article may therefore be more useful for those engaging in research than for practising teachers. See Primary History summer resource 2019: Diversity for current guidance.
In a series of three articles Hilary Claire...
Planning for diversity in the Key Stage 2 history curriculum
-
Working with Boudicca texts - contemporary, juvenile and scholarly
Teaching History article
Please note: this article was written before the the 2014 National Curriculum and some content may now be outdated.
Robert Guyver describes a model for teaching Boudicca’s rebellion to pupils aged 7 to 13. Drawing on the tradition of critical source evaluation, he nonetheless shuns aspects of that tradition in favour of...
Working with Boudicca texts - contemporary, juvenile and scholarly