Cross Curricular

History as a subject lends itself to developing meaningful links to a cross-curricular topic.  Advice on achieving a robust and rigorous approach will be available in this section.

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  • Integration and cross-curricularity: History, Humanities And Social Studies

    Article

    Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated. From the late 1960s until 1989 history was almost universally taught in primary schools as an element in integrated crosscurricular programmes, normally social studies or humanities. The 1989/1990 National Curriculum: History radically changed this. It introduced...

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  • Learning what a place does and what we do for it

    Article

    Please note: This article pre-dates the current National Curriculum and some content and references may be outdated. Why teach children about architecture and the built environment? Because they shape the future and because they already change our architecture and define the public realm everyday through their actions. Learning about architecture and the built...

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  • Means and Ends: History, Drama and Education for Life

    Article

    Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated. John Fines, Raymond Verrier and I frequently taught as a team trying to discover where drama work and history meet. We were interested in helping children get a grasp of past events which have influenced their...

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  • Museums, schools and creativity: How learning can be enhanced

    Article

    What do we mean by creativity?In the last few years there has been an emphasis on the ‘creative curriculum', ‘creativity' and ‘creative teaching and learning', but there has not always been a shared understanding of what this means. This article uses the definition from ‘Creativity - find it, promote it'...

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  • Music and history combine at Key Stage 2

    Article

    Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated. Section 1: Introduction Music is a powerful, emotive subject to enrich Historical, Geographical and Social Understanding. The Historical Association has a long and proud tradition of working closely with the Schools Music Association. In 2005, to...

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  • Music in the History Curriculum

    Article

    Please note: this article pre-dates the current National Curriculum and some content and references are outdated. In a primary school in Devon, there is a teacher who sings to his class every day: traditional songs; love songs; lyrical ballads; sea shanties; tales of mystery and suspense; songs of ritual and ceremony, hunting songs,...

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  • Music in the history curriculum

    Article

    Music is a dimension of teaching history that is under used. Rosie explores key ideas about its value for teaching history. The first Aim of the proposed 2014 National Curriculum highlights the role of history: perform, listen to, review and evaluate music across a range of historical periods, genres, styles...

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  • OFSTED, primary history and creativity

    Article

    Co-ordinators concerns: OFSTED, primary history and creativity I'm told the emphasis in schools now is for a rigorous approach to history where the children are taught the main facts and features of history. I recall a time not so long ago when the whole curriculum was about creativity but surely...

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  • Planning with literacy

    Article

    Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated. History is a subject which of necessity makes extensive use of language in all its forms and so the links with literacy are many. Cooper (2000), Bage (1999), Hoodless (1998) and Nichol, in the Nuffield History...

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  • Political literacy: citizenship through the English national curriculum's the Romans in Britain study unit

    Article

    Hilary Claire raised fundamental issues about the relationship between History and Citizenship for the development of a sense of identity. Her paper stresses the importance of sceptical thinking, perspective, sequence and progression - the essential chronology that underpins pupil's education for citizenship in the timeframe that history provides...

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  • Pride in place: What does historical geographical and social understanding look like?

    Article

    Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated. ‘Some primary schools are like the High Street in many of our towns. I can predict what I will see before I go through the door. What I want to see is something that gives me...

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  • Teaching diversity through drama

    Article

    Teaching diversity through drama at the Museum of London: Stories of London people From Roman times to the present, London has been shaped by the diversity of its people. London is home to500 different nationalities, 300 different languages,14 major faiths and a host of other religions. The Museum of London...

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  • Teaching history and geography together in a meaningful way

    Article

    This article explores some of the  ways history and geography can be taught side by side, so that the sum of the parts adds up to more than the original. How can we teach history with geography and vice  versa, to the benefit of both, while fulfilling the aims of...

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  • The History around us: Local history

    Article

    Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated. History is an important aspect of the development of even very young children. They need to begin to develop the foundations of an understanding of the past and how it has developed and affected our present....

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  • Thematic or topic based whole school curriculum planning

    Article

    Creative curricular planning With the National Curriculum under review, it seems that more schools are taking a creative approach to planning by delivering the curriculum through a focused theme or topic. This has allowed schools to take more ownership of the curriculum and has helped teachers become more innovative in their...

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  • Unpicking the learning potential in creative approaches to studying World War II

    Article

    Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated. ‘The biggest issue for school history is its limited place in the curriculum.' (Ofsted, 2007) This central concern of Ofsted's 2007 report, History in the balance, could equally apply to the teaching of drama in primary schools....

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  • Using cemeteries as a local history resource

    Article

    Why visit a cemetery as part of the history curriculum? Local studies now feature prominently in the primary history curriculum for both key stages. This development challenges teachers to find easilyaccessible, inexpensive and relevant resources on their doorstep. A rich resource which has traditionally been overlooked is the local churchyard...

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  • Using classic fiction to support the study of childhood in Victorian times

    Article

    Please note: This article pre-dates the current National Curriculum and some content and references may be outdated. Classic fiction provides useful sources of information for investigating the lives, beliefs and values of people in the past. In this article Ann Cowling describes activities undertaken with student teachers which may also serve as models...

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  • Using diaries to stimulate children's understanding of the past

    Article

    Children develop their understanding of the past through a range of historical sources of evidence. Written sources may provide different types of information for children to work from. Records such as census returns or street directories provide information about families and tradespeople living in a particular communities and old maps...

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  • What are the reasons for linking art and history?

    Article

    Please note: this article pre-dates the 2014 National Curriculum and some content and links may be outdated. Visual images, paintings, sculpture, photographs, cartoons from past times are important historical sources. Accordingly, Simon Schama embeds visual images and imagery in his historical oeuvre, not primarily as illustration but as a crucial...

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